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The Revenge of Red Riding Hood

stitch-1

SUBMITTED BY:

Rachel Sullivan

(click images to to enlarge)

Other Credits

My husband and kids get all the credit for the filming and photography

Outline the story …

As a child I remember the horror and fascination of touching my grandam’s fur capes, many of which had claws, tails and even eyes. These garments always seem like they belonged to another world and whereas it’s hard to ever justify fur nowadays, when I began thinking about ‘Into Another World’ I started to muse on whether there could be a world which turned this on its head. I came up with the idea of Red Riding Hood, a character from a storytelling world, who has the most traumatic, life changing event with a wolf who eats her grandma and then tries to trick her into becoming its next victim.
In my imagination, a much older Red Riding Hood, crazed with trauma and grief has devoted her life to mad revenge on the entire wolf species, perhaps even attempting to single-handedly wipe them off the face of the earth. I envisaged her as a powerful and liberated late victorian, wearing structured but comfortable garments which were cut to allow ease of movement and padded to offer protection. In my imagination she has ditched the cumbersome red hooded cloak and full skirt in favour of a short red, padded cape trimmed with wolf legs (and claws), riding hat and cycling bloomers. She wears a corded corset which is corded with protection and hyper feminine power in mind. Her corset is stitched and embroidered with red to symbolise the quest for blood that has dominated her life.

Outline the construction…

I began with the corset, heavily inspired by the sporty feel of the gold exotic corset in Jill Salen’s book, combined with images of the Ferris health Corset. Having created a pattern I altered the usual direction of the cording to create a sense of tautness and female shape whilst retaining a softness and comfort. It was hard to get the hang of cording in a freehand/decorative way, particularly since it was necessary to do it straight onto the garment and work out the correct sequence to avoid cording on top of the path of another cord. I ended up stitch marking the pathways, but I still had to do a lot of unpicking!
In creating the fencing doublet type tabs, I pad stitched the interior layers of felt and calico in an attempt to create a protective and exaggerated hip shape. Finally I embroidered the corset and lined it.
The bloomers were cut from the RH1037 pattern and bound seamed throughout. The cape was adapted from a Repeated Originals coat pattern and includes a quilted black silk lining for padding, protection and warmth. The fake fur was salvaged from a charity shop waistcoat and the claws were painted ‘teeth’ beads bought online.
The whole outfit has been constructed with a view to sustainability. The tabs on the corset and the fur on the cape were applied in a way that are deliberately removable. The bloomers are already part of my day to day wardrobe.

COMMENTS

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4 Comments

  1. Kitty Mortensen Kitty Mortensen on April 19, 2024 at 10:08 pm

    This is fabulous! I love the narrative on red riding hood and your video is so fab. The details are so fun, really great work!

    • Avatar Rachel Sullivan on April 23, 2024 at 9:28 pm

      Thanks so much! It was fun, I’m glad that comes across!

  2. Avatar Jenny B on April 24, 2024 at 6:18 pm

    This is such a fun concept! You’ve created a really great character through the design, and I love the corset in particular!

  3. Constance MacKenzie Constance MacKenzie on May 13, 2024 at 8:33 pm

    I love your corset design the combination of cording and embroidery as well as the stylistic elements of the tabs and cups really work well and it looks great with the other garments that really brings a stylish and practical ensemble.

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